"Since
1998 we have been using the facilities at Motivation Sound Studios.
Whether we were recording the Royal National Theatre Company in The
Mysteries or Leslie Caron and Stacey Keach in Michael Hastings' adaptation
of The Plutocrat, or Sir Donald Sinden, Alec McCowen, Charles Dance,
Geoffrey Palmer and Joseph Fiennes in John Osborne's memorable The
Charge of the Light Brigade or this year Paul Scofield in Michael
Eaton's adaptation of the Dickens story George Silverman's Explanation,
all the actors, directors and producer of Promenade have enjoyed the
professional atmosphere and attention they have received from the
staff of Motivation Sound Studios."
Nicholas Newton, Producer
Promenade
"Thank
you very much for providing such an excellent service for the recording
of our play "Chair" by Edward Bond for BBC Radio 4. I
found everyone at your studios very helpful and professional and
I am very pleased with the end result"
Turan
Ali, Director
Bona Lattie Productions
"Motivation
Sound Studios have been recording unabridged audio books ranging
from 4 to 16 hours for Chivers since the early 1980s
I would
not have the slightest hesitation in recommending MSS as a recording
studio, either for the recording of audio books or indeed for any
other form of recording work. Their technical expertise is of the
highest order, their attention to detail is superb, their ability
to cope with the logistical 'nightmare' of several titles going
through at different stages is exemplary"
Nicole
Kirkman, Publishing Director
Chivers Press Publishers
"A
very friendly but professional environment for everything from King
Lear and Sherlock Holmes to Heidi and W.B. Yeats"
Nicolas
Soames, Director
Naxos AudioBooks
"I
seem to have spent a lot of the last year up at Motivation Sound
and have never said what a pleasure it is to be there... I may have
worked in more overtly glamorous places but Motivation takes a lot
of beating"
Jane
Morgan
Drama Producer
"Thanks
again to you for all your hard work. The project has gone really
smoothly, youve delivered everything really quickly and kept
us in touch the whole way through."
Teresa
Raho, Editorial Manager
LCP - Language Centre Publications
"Acoustiguide
have used the services of Motivation Sound Studios for a number
of projects. We have always found their staff reliable and their
work to be of good quality. As a team they are always willing to
go out of their way to help us in meeting our objectives and tight
deadlines and they do so with great good humour"
Alyson
Webb, Creative Director
Acoustiguide
"It
has been a great pleasure for our company to discover the expert
work that your company provides in producing audiobooks. We have
now completed three different projects with you - an unabridged
mystery, a non-fiction, and a poetry collection - and we can certainly
recommend your services to any other US audio publisher"
Linda
D Olsen, President and Publisher
The Audio Partners Publishing Corp.
"We
were pleased with the production of 'Don't be a Stranger' for BBC
Radio 4
It is a good place to work, your staff are welcoming
and friendly and the price is competitive
By the way the BBC
Commissioning Editor liked the production"
Ralph
Rolls, Director
Forge Productions Ltd
"Just
a note to say what a delight to be at Motivation for the ten day
recording of Philip Pullman's 'The Amber Spyglass'. Your whole team
looked after Philip and all forty of us royally
Many thanks
for making us so welcome and helping to keep the long, intricate
schedule running so smoothly"
Garrick
Hagon, Director/Producer
The Story Circle
"I
have always enjoyed recording at Motivation Sound Studios; the relaxed
and friendly atmosphere belies the steely professionalism and efficiency
which ensures I get a good product"
Hazel
Imbert
Audio producer and Writer of ELT materials
"A
Tribute to Finchie was recorded in a small studio in North London..
Like so many Radio 4 dramas, it is a miniature gem"
Valerie
Grove, The Times
Play directed by Martin Jarvis
"Just
a note to thank you and the sound staff for the invaluable experience
the Central [School of Speech & Drama] students gained working
in your studios
I was impressed by the way their microphone
technique improved in these sessions"
John
Scotney
Producer
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